Beyond the hair: Gaise Baba fires back at critics of his gospel style

DDM News

Popular Nigerian gospel singer Akinade Ibuoye, better known as Gaise Babal, has responded to rising criticism about his appearance.

According to Diaspora Digital Media (DDM), he insists that his fashion choices do not diminish his spiritual depth or divine assignment as a gospel minister.

The controversy escalated after the remix of his song No Turning Back featuring gospel minister Lawrence Oyor went viral.

Though the remix reinforced devotion to Jesus Christ, it drew disapproval from some conservative voices in the Christian community.

A Nigerian pastor accused the remix of straying from the core message of the original version of the song.

Gaise Baba directly addressed the backlash surrounding his appearance and musical style.

Known for his urban look, including tinted hair and casual attire, he argued critics are missing the true message.

“People are looking on the outside, looking at the tinted hair,” he said during the live interview broadcast.

“Do you know my consecration? Do you know what I do in the secret place?” he asked defiantly.

“If you hear my words, you will know I am not a random person,” he added with conviction.

He explained his ministry’s aim to reach younger audiences effectively.

According to Diaspora Digital Media (DDM), Gaise Baba said his style helps connect with a generation craving spiritual authenticity.

“There is a new generation I am connecting with,” he stated.

“I am as deep and anointed as any father,” he added.

He believes the Nigerian gospel industry is “struggling for newness” and must evolve to remain relevant in today’s culture.

Gaise Baba argues that the gospel must adapt its expression to stay meaningful and impactful to modern listeners.

Reactions to his bold stance have been mixed, sparking heated discussions both online and within faith communities.

Supporters applauded his courage to challenge rigid religious norms and promote spiritual expression beyond traditional standards.

However, critics accused him of being disrespectful to revered leaders in the Christian faith community.

One commenter, Idoko Kel Banks, expressed disappointment in Gaise Baba’s comparison with elder church leaders.

“You can say ‘I am called, anointed and sent,’ but comparing with fathers of faith? No,” he wrote.

“That’s a clear indication he lacks respect for them,” the comment continued, sparking further debate online.

Another critic, Úbà Odu, mocked Gaise Baba’s fashion evolution with a sarcastic social media post.

“Tomorrow you’ll wear pants where your goal is showing, and say you’re connecting to another generation,” Odu remarked.

Despite the criticisms, Gaise Baba stands firm on his approach, defending authenticity and relevance in his spiritual walk.

“For me, it’s about real connection, not just tradition,” he emphasized during the television interview.

He insists that as long as the message remains true, the style of delivery can and should evolve.

The controversy reflects a larger tension between tradition and innovation within Nigeria’s gospel music space.

As younger Christians seek relatable spiritual experiences, artists like Gaise Baba are redefining how the gospel is shared.

While some fear this shift may dilute sacred norms, others see it as necessary for generational impact.

Gaise Baba remains unshaken, declaring that his look won’t distract from his divine mission or spiritual authority.

“I don’t just look different, I’m sent, I’m deep, and I’m here for this generation,” he affirmed.

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